Vivienne Fontaine
Blue blood, Golden glory
Profile
Real Name: Vivienne Fontaine
Nicknames: The Royal Colossus, La Danseuse de Fer
Age: 29
Eyes: Hazel
Hair: Royal Blue, Wavy
Height: 6'3" (190 cm)
Weight: 220 lbs (100 kg)
Nationality: French
Alignment: Face
Entrance Music: DNA - Kendrick Lamar
Appearance
Vivienne stands at a striking 6’3” and weighs 220 pounds, her physique sculpted by years of disciplined training. Her frame is broad and powerful, with defined musculature in her shoulders, thighs, and arms, yet balanced with the long, flowing lines of a dancer. She has the kind of body that commands respect—neither bulky nor overly lean, but built like a living statue carved from marble.
Her most distinguishing feature is her hair: a cascade of rich royal blue, long and wavy, often tied back into a high, regal braid for competition. When loose, it frames her sharp cheekbones and square jaw, enhancing her imperious presence. Her deep blue eyes carry both warmth and authority, capable of soft reassurance to allies or cold, steady focus on an opponent.
Vivienne’s fashion sense mirrors her aura—minimalist yet striking, favoring shades of royal blue and gold that emphasize her commanding stature. Even outside the ring, she dresses as though every step is a statement: silk blouses, tailored trousers, gold jewelry chosen not for flash but for elegance. She wears her strength proudly, never shying from cuts or outfits that display her powerful frame.
Personality
Vivienne is the embodiment of regal strength. Calm, poised, and deeply disciplined, she rarely raises her voice and commands attention through sheer presence. She views fighting not as chaos, but as choreography—each match a dance, each move a step in rhythm. This perspective makes her unshakable under pressure; she controls pace, momentum, and energy with the same patience as a conductor guiding an orchestra.
She believes deeply in respect and dignity. To her, the ring is sacred—a place where opponents reveal their truest selves, stripped of pretense. She treats those she faces not with disdain but with reverence, for every opponent is a partner in her “dance.” This philosophy makes her popular with fans, who admire her nobility as much as her dominance.
Yet Vivienne is not without flaws. Her stoicism can border on arrogance, and her insistence on controlling the pace of a fight sometimes leaves her vulnerable to faster, more chaotic fighters. Emotionally, she keeps herself armored—rarely letting others see vulnerability, lest it break the image of the colossus she has crafted.
Outside the ring, she is thoughtful and introspective, fond of poetry, philosophy, and the quiet beauty of nature. She is loyal to allies and protective of those smaller than herself, often unconsciously stepping between them and danger. For all her grandeur, she is at heart a guardian.
Wrestling Information
Strategy: Vivienne wrestles as though choreographing a performance. She uses her incredible strength to control the pace, lifting and throwing opponents with ease, but always with a sense of rhythm and elegance. Against a passive opponent, she would display a showcase of throws, powerbombs, and slams, punctuated by graceful footwork that seems at odds with her size.
Style: A true powerhouse — she controls the fight and wears opponents down with overwhelming strength before finishing decisively.
Type: Power and endurance, tempered with precision footwork.
Preferred Attacks: Choke slams, spinning suplexes, powerbombs, running lariats, overhead presses, clinch knees, and theatrical spinning grapples.
Preferred Matches: One-on-one standard bouts and Last Woman Standing
Attitude To Hentai: “Strength wears many forms. If this is the arena chosen, I will not falter — I will carry myself with dignity, no matter the stage.”
Physical Statistics
General Statistics
Endurance ★★★★★★★★☆☆
Strength ★★★★★★★★★☆
Speed ★★★★★★☆☆☆☆
Defence ★★★★★★★☆☆☆
Technique ★★★★★★★★☆☆
Wrestling Statistics
Strikes ★★★★★★☆☆☆☆
Submissions ★★★★★★☆☆☆☆
Powerhouse ★★★★★★★★★☆
Aerials ★★★☆☆☆☆☆☆☆
Counters ★★★★★★★☆☆☆
Match Ending Moves
Signature Moves
Royal Descent: A thunderous choke-slam, dropping opponents flat into the canvas with regal force.
Danse Macabre: Spinning back suplex flowed seamlessly into a powerbomb.
Eternal Waltz: Grapple chain ending in a spinning lariat, performed like a deadly dance sequence.
Finishing Moves
Crown Breaker: A brutal overhead press drop, showcasing her raw colossus strength.
Finalé Royale: A jackknife powerbomb delivered with unmatched precision, her ultimate statement of dominance.
Past
Backstory
Vivienne Fontaine was born in Marseille, France, the second of three daughters in a family that prized refinement, artistry, and discipline. Her father was a fencing master of some renown, her mother a classically trained ballerina who once danced on Parisian stages. From the start, Vivienne’s life was shaped by two ideals—precision and grace. She was expected to follow the artistic path laid before her: fencing, ballet, or the refined sport of equestrian riding.
But Vivienne’s body was not like her sisters’. She grew taller, stronger, broader in the shoulders—her frame hinting at power few women in her world possessed. By the time she was sixteen, she stood nearly six feet tall and towered over her peers. Ballet directors whispered that she was “too statuesque,” a gentle but cruel dismissal that marked her early years. Instead of shrinking to fit their expectations, Vivienne took that judgment as a challenge. If her body was a fortress, she would not apologize for it. She would rule within it.
She began to train outside her family’s expectations—dabbling in judo, wrestling, and even weightlifting at underground gyms in Marseille. Where ballet gave her poise and fencing gave her rhythm, combat gave her freedom. Every slam, every throw felt like writing her own destiny, free of the genteel cage her upbringing tried to place her in. What surprised many was her ability to carry her martial power with the same elegance as her sisters’ dance. Even in the midst of grappling and striking, she moved like someone conducting a symphony—measured, deliberate, always aware of the rhythm of the fight.
Her reputation spread across European independent circuits, where fans came to call her La Danseuse de Fer (“The Iron Dancer”). Her style was unmistakable: part ballet, part demolition. She wasn’t a brute, but an immovable force, tossing opponents as though guiding them through a dance only she knew the steps to.
When scouts from L.A.W. sought to expand their roster with international powerhouses, Vivienne was an inevitable choice. She wasn’t just strong; she was unique—a colossus who moved with elegance, a woman whose presence could silence a crowd before she even lifted a finger. Accepting the offer, she traveled overseas, ready to bring her philosophy of regal might and artistry to the grandest stage of them all.
In LAW, Vivienne sees more than competition—she sees a stage to redefine strength. Where others thrash, she controls. Where others shout, she remains silent. Every opponent, every match, is another chance to prove that power does not have to be ugly. Power can be noble. Power can be beautiful.
But Vivienne’s body was not like her sisters’. She grew taller, stronger, broader in the shoulders—her frame hinting at power few women in her world possessed. By the time she was sixteen, she stood nearly six feet tall and towered over her peers. Ballet directors whispered that she was “too statuesque,” a gentle but cruel dismissal that marked her early years. Instead of shrinking to fit their expectations, Vivienne took that judgment as a challenge. If her body was a fortress, she would not apologize for it. She would rule within it.
She began to train outside her family’s expectations—dabbling in judo, wrestling, and even weightlifting at underground gyms in Marseille. Where ballet gave her poise and fencing gave her rhythm, combat gave her freedom. Every slam, every throw felt like writing her own destiny, free of the genteel cage her upbringing tried to place her in. What surprised many was her ability to carry her martial power with the same elegance as her sisters’ dance. Even in the midst of grappling and striking, she moved like someone conducting a symphony—measured, deliberate, always aware of the rhythm of the fight.
Her reputation spread across European independent circuits, where fans came to call her La Danseuse de Fer (“The Iron Dancer”). Her style was unmistakable: part ballet, part demolition. She wasn’t a brute, but an immovable force, tossing opponents as though guiding them through a dance only she knew the steps to.
When scouts from L.A.W. sought to expand their roster with international powerhouses, Vivienne was an inevitable choice. She wasn’t just strong; she was unique—a colossus who moved with elegance, a woman whose presence could silence a crowd before she even lifted a finger. Accepting the offer, she traveled overseas, ready to bring her philosophy of regal might and artistry to the grandest stage of them all.
In LAW, Vivienne sees more than competition—she sees a stage to redefine strength. Where others thrash, she controls. Where others shout, she remains silent. Every opponent, every match, is another chance to prove that power does not have to be ugly. Power can be noble. Power can be beautiful.
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